The Story of the “Real McCoy”

 

Writing Tom Sharkey’s biography meant we got to “meet” many of the great characters of old-time boxing.

Sharkey wasn’t the only wild character among them.

One of our favourites was “Kid” McCoy – real name Norman Selby – who faced Sharkey in January 1899 as a boyish-looking 26-year-old and had fast become one of the most notorious figures ever to step in the ring; a talented fighter, yes, but a trickster too.

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According to Patrick Myler: “The numerous stories told about his trickery, mostly apocryphal, are a treasured part of boxing folklore.”

He was said to have once filled his mouth with loose teeth and spat them out during a bout, horrifying his opponent and delivering a knockout punch on his unguarded chin.

He also scattered thumb-tacks on the canvas when he took on a fighter who fought in bare feet.

One particularly dirty trick involved Peter Maher. McCoy sent him a fake telegram, shortly before they were due to fight, saying there been a sudden death in the Irishman’s family.

As another writer, Graeme Kent, has noted: “McCoy was a brilliant boxer and an extremely shrewd operator who had sailed close to the wind on a number of occasions.”

His name lives on with us to today as a way of describing the genuine article. Myler reckons this relates to confusion with a lesser-known fighter named Peter McCoy, who was also known as “Kid”. He says a newspaper once ran the headline, ‘Choynski is Beaten by the Real McCoy’ and the phrase stuck. Kent prefers a story more in keeping with ‘Kid’ McCoy’s trickster image. He says that McCoy, trading on the drawing power of his name, sometimes booked himself to appear in different places at the same time and sent along ringers.

“Promoters had grown wise to this ploy and had insisted on the Kid being less generous with his doppelgangers,” notes Kent. “To reinforce this point they had taken to billing the boxer as ‘the real McCoy’, a phrase which later entered the lexicon.”

I FOUGHT THEM ALL IS AVAILABLE IN HARDBACK HERE

‘Freiheit’. Tribute: the White Rose

Sophie Scholl

For those fascinated by this week’s tributes to Sophie Scholl, her brother Hans and Christoph Probst (all executed 76 years ago) this is the spot at which their fate was sealed.

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Sophie threw anti-Nazi leaflets from the balcony under the clock and into the hall below at Munich university.

All these years later it is still an emotional place to be.

A university is a place for free thinking, for questioning, for youthful exuberance. The Scholls went to the guillotine for displaying these qualities, as would many more connected to their White Rose movement.

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When a prison guard came to clear her cell after her execution he found that she had written a single word on the back of her indictment sheet: “Freiheit.” Freedom.

Sophie Scholl - photo taken by her brother Werner.

Photographing the film-makers

A big shout-out to photographer Susy Fernandes who is following the production of our short film This Is Not A Poem.

I’ve worked on dozens of productions but have never had someone taking photos during the process.

Being behind the camera one feels quite anonymous. Susy’s photos are putting the camera operator Paul Roberts and myself under her own kind of spotlight.

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We chose Susy because she can immediately connect with our subjects of internationalism, understanding and tolerance.

She was born in Mozambique in 1974 in the year of The Carnation Revolution (Revolucao dos Cravos), to Portuguese parents.

To escape the riots her parents moved the family to South Africa. She lived there until she was 12 and then the family moved back to Portugal.

In 2005, she and her own young family left Portugal and went to England to work. They later moved to Wales.

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In Wales, she decided to continue her studies at Cardiff and Vale College and joined a BTEC course in Fashion and Clothing. She is now studying a Foundation Degree in Photography with the USW at CAVC.

She says: “I believe that we are never too old to study and to dream. I’m doing all this so that my four boys can see me as a role model who, despite suffering from a chronic condition (Fibromyalgia), still has hope for a better future.”

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We have engaged Susy to document our filming days.

The only thing we haven’t managed to do yet is get a photo of Susy herself!

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THIS IS NOT A POEM

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We’re underway. My friend, Eric Ngalle Charles, and I have long-cherished a dream to turn his words and poetry into a film-hymn to tolerance and understanding.

Eric is a Cameroon-born writer who came to Britain as an asylum seeker almost twenty years ago and has since become one of Wales’ foremost poets.

His writing is fearless and often funny, drawing on a rich history of sub-Saharan African folk tales and on his own incredible experience of being driven from his homeland and people-trafficked.

Eric has performed at the Hay Festival and held a series of writing workshops at the Dylan Thomas Centre in Swansea. The writer Owen Sheers, who is a keen supporter of Eric, has described his work as using “a unique theatrical language”.

For some time we’ve wanted to turn his work into a short film. Now, with the support of Arts Council of Wales and the Dylan Thomas Centre, we are.

We’ve worked together to edit and reshape many of Eric’s poems into a single narrative which describes why he left his homeland and how he came to settle in Wales.

And now filming has started. This blog will chart our progress.

The central theme of the work is identity and how we can all see ourselves as having several different identities at the same time: south Cameroonian, African, Welsh, for instance. Or English/Welsh-speaking Welsh, British, European.

The themes of the film are especially relevant because of the continuing national debate over immigration and Brexit.

The film will form part of a special event at which Eric will discuss poetry and his own thoughts on race and identity, and encourage discussion with the audience.

“We are all many people in one,” Eric says. “And the more we can understand ourselves, the easier it is to reach out to others and to understand them. Greg and I are committed to a message of bringing people closer together and making connections.”

Following its launch in September, the film will be shown at a number of venues around Wales and in Italy, where Eric has performed before.

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That’s our camera operator, Paul Roberts, (centre above) carrying all the kit but still managing to keep ahead of us.

Please follow the ‘This Is Not A Poem’ Category and Tag to keep up with regular updates on the production.

Our photographs are from the fantastic Susy Fernandes and there will be more about – and from her – very soon.

Defying Hitler: The Germans Who Resisted Nazi Rule

Coming soon from Dutton Caliber in the US (published April 2019):Defying Hitler cover USAn enthralling work of popular history that vividly resurrects the web of everyday Germans who resisted Nazi rule

Nazi Germany is remembered as a nation of willing fanatics. But beneath the surface, countless ordinary, everyday Germans actively resisted Hitler. Some passed industrial secrets to Allied spies. Some forged passports to help Jews escape the Reich. For others, resistance was as simple as writing a letter denouncing the rigidity of Nazi law. No matter how small the act, the danger was the same–any display of defiance was met with arrest, interrogation, torture, and even death.

Defying Hitler follows the underground network of Germans who believed standing against the Fuhrer to be more important than their own survival. Their bravery is astonishing–a schoolgirl beheaded by the Gestapo for distributing anti-Nazi fliers; a German American teacher who smuggled military intel to Soviet agents, becoming the only American woman executed by the Nazis; a pacifist philosopher murdered for his role in a plot against Hitler; a young idealist who joined the SS to document their crimes, only to end up, to his horror, an accomplice to the Holocaust. This remarkable account illuminates their struggles, yielding an accessible narrative history with the pace and excitement of a thriller.

Praise for Defying Hitler:

“The question was often asked amid the ruins of the Third Reich: why did the Germans fight on for so long when all was lost? Those liberated from concentration camps knew the answer. Terror, mass murder, ruthless and barbaric persecution—all opposition had been mercilessly quashed. In Defying Hitler, Gordon Thomas and Greg Lewis show in chilling and vivid detail just how courageous were those who dared to defy Hitler. A terrifying and timely account of resistance in the face of the greatest of evils.”—Alex Kershaw, New York Times bestselling author of Avenue of Spies: A True Story of Terror, Espionage, and One American Family’s Heroic Resistance in Nazi-Occupied Paris

“This carefully researched book challenges the myth that the German people were virtually unanimous in support of Hitler… Defying Hitler is filled with almost unbearable suspense and drama.”Booklist (starred review) 

“A deeply researched work that passionately challenges the popular myth that ‘the German people followed Hitler as if as one mass, mesmerized like the children of Hamelin by the Pied Piper.'”Kirkus 

British POW witnesses Nagasaki: “It was simply astounding, nothing left standing for miles, everything flat and burnt out.”

Sgt Major Les Spence
Sgt Major Les Spence

Les Spence was a remarkable man who kept an astonishing journal.

For almost four years he risked his life to keep a daily record of hardship, courage and endurance in prison camps run by the Japanese.

He and his fellow prisoners faced starvation, disease and cruelty. They kept up their spirits by playing sport, listening to an illicit radio and by trying to create their own civilised society behind barbed wire.

Throughout the suffering in Java, a perilous journey in the hold of an infamous hellship and the horrors of a forced labour camp in Japan, Les Spence kept writing.

He spent much of his time in a coal mining camp near Nagasaki. There, he was able to record one of the most momentous events in history: the dropping of the plutonium bomb on the city.

We had uneventful train journey to Nagasaki and then we saw the result of the atomic bomb. It was simply astounding, nothing left standing for miles, everything flat and burnt out.

Covering the period from January 1942 to November 1945, the diaries have been annotated to create a record of the Allied forces who many feel were sacrificed on Java.

Les Spence’s work is a first-hand account of how to hold onto hope when all seems lost.

From Java To Nagasaki
From Java To Nagasaki

WHAT READERS ARE SAYING:

“Moving and magnificent in its reportage, this is a war story with a difference. The very gut-wrenching rawness of Les Spence’s diary is a reminder of an area of World War Two almost forgotten: the battle for Java and the sacrifice that followed. This is one of those books that once you start you can’t forget it. These secret diaries have been lovingly edited to provide a firsthand account of the rigours of being a prisoner of a cruel enemy is superbly evoked.”
Gordon Thomas, author of ‘Voyage of the Damned’, ‘Inside British Intelligence’ and ‘Gideon’s Spies’

“A remarkable testament to courage and endurance in the face of hardship and cruelty – and a firsthand account of how to hold on to hope when all seems lost.”
Western Mail

“A remarkable wartime document.”
South Wales Echo

“These remarkable diaries cover the period from January 1942 to November 1945, and are a testament to one POW’s moving story.”
Britain at War magazine, September 2012

From Amazon: “My grandfather was in the same camp as Les Spence (Camp 8B @ Inatsuki). He told me stories about his time in camp, but [this] book has provided additional insight into the fear, hope, and dreams of these prisoners. Its value lies in the fact that it is a first hand account (actual diary that was retained by Les Spence throughout his imprisonment) of the day-by-day blows experienced by this POW.”